Performance as part of the Québec Musiques Parallèles tour
In 2005, I began researching and experimenting with a kind of post-musique concrète. I’ve been working with the contrast between flows of sound and fixed sound ever since.
In this residency, I am using sound sources and sound flows in random ways, breaking away from the fundamentals of musique concrète. The starting point is no longer a sample or memorized sound but rather an open flow. The live arrangement of sound materials merges the here and now with the elsewhere and the faraway, beyond and below the horizon. A fictional cartography develops along with the open flows, combining street scenes of Québec City and Calcutta and the sounds of a Pacific coastal forest in Costa Rica.
As part of the residency at Avatar, various phonographic sources will be assembled. The site-specific sound objects created will be correlated with samples collected in Québec, in 2015, as part of the radiophonic work NITASSINAN. These sound sources will be accompanied by live streams.
References : Marcel Duchamp, Erratum musical (1913), pour trois voix
John Cage, Variations VII New York (1966)
Since 1992, eRikm has extended the field of artistic experimentation on the international scene. Maintaining a constant fusion between thought, instinct and sensitivity, he pursues a simultaneity of practices and addresses the interplay between various compositional modes, relating to and using all languages. From his early experience as a guitarist through to his later visual work, he is a maverick genre-bender who breaks down anyone’s attempts to conveniently classify him. Quickly recognised as a virtuoso turntablist and sound artist (1996), eRikm has made a longlife habit of crossing all territories and « world-systems » deemed “independent”, “institutional”. At the same time (1997), he has developed an open and aspirational approach toward the technological media, both as a means of development for a new economic model and as an instrument for creation, production and diffusion.
He deals with sounds like living organisms, constantly in flux, always open to the risk of accident or delight/unisson. As he plays with all these contradictions in his improvisations, his performance reaches new heights of intensity, trading off both understanding and sensation, seriousness and farce, anticipation and instinct. His work references both the intimate and political, both popular and high culture, but without demonstration. Rather he creates a short-circuit connection between points with his live generated (and degenerated) material – from noise to reference – presenting multiple ways to capture each moment of the present in clear focus.
Throughout his career, collaborations have naturally occurred with his audiences and contemporaries, most notably : Luc Ferrari, Christian Marclay, Mathilde Monnier, Thurston Moore, FM Einheit… The kind of coincidences which have confirmed his instinctive search for transmutation, and to play on several levels. Since 1997, on his own or with collaborators, eRikm has toured (with 5-7 on-tour projects to date), or created by request specific pieces, both transversal or for fixed spaces (record labels, radio, festivals, art centres…) In the meanwhile, each time building on what has emerged before, the most personal fragments from his work (notably from his early artworks in photography, drawings, visual installations and video) continue to substantiate a singular kaleidoscopic vision.
Ultimately, eRikm’s research resonates through all of his work, bordering scientific discovery and a poetic curiosity of the world.
eRikm is a Marseille based artist