Steeve Lebrasseur’s Avec titre begins with the audio densities of “Trop blow mon Joe” for a first movement.
The question is: how many “musical” tracks need to be superimposed before you exceed “musical” limits? The next three movements follow without pause. His hands stuck in the machine, the artist is reduced to an electrocorporeal link—an environment conducive to sonic meanderings.
Three audio processors were used on the program, with no external sound source. A sole human source was responsible for all “electronic conflicts.”