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Thirteen improvisations on the acoustic guitar, without editing, superposition, equalization, or reverberation. At the sound pickup, eight microphones were used simultaneously. The mixing of sources put emphasis on the structures of the improvisations through various points of view or listening positions.
The pieces relate a radically personal experience and are offered to the listener like so many pages taken out of a diary and destined to be listened to as such: in the privileged space of audio intimacy, released from “guitaristic” prejudices and conventions.