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GringoPlaza
GringoPlaza Marc Lalonde, Patrice Duhamel, Sébastien Cliche (2002)

The improvised music of GringoPlaza borrows “its panoramic movement” from the language of film, taking the form of a narrative.

The improvised music of GringoPlaza borrows “its panoramic movement” from the language of film, taking the form of a narrative. Sound texture is equally important: rock, electroacoustic, foley, and accidental noise blend in GringoPlaza into various pieces: some introspective—others headed for the edge.

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