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12 minutes 54
12 minutes 54 Katia-Marie Germain (2008)

12 minutes 54, the artist’s initiation into audio art, came out of a dialogue between dance and sound. First, various phases of a choreographic structure were recorded using sound sensors. The trick was then to structure the resulting tracks into a free-standing work that the dance could be built on. Generate movement with sound in order to generate movement—and on and on in a cycle.

12 minutes 54, the artist’s initiation into audio art, came out of a dialogue between dance and sound. First, various phases of a choreographic structure were recorded using sound sensors. The trick was then to structure the resulting tracks into a free-standing work that the dance could be built on. Generate movement with sound in order to generate movement—and on and on in a cycle.

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